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Book II

by Foolish Ida

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John Robinson
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John Robinson This is an amazing EP. Oranges for Alcohol is hauntingly beautiful. It starts out very simply, a perfect vehicle with which to feature Sarah's amazing voice. Layers of harmony and sound are added in the middle, only to be stripped away as the song ends, again revealing the simple, beautiful, purity of Sarah's voice.

Life starts out simple, then it's complicated with many layers. Maybe, by stripping away the layers of complexity we can expose the simple beauty of things again, in the end. Favorite track: Oranges for Alcohol.
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    Kraft case hand silk-screened by Fencing and Archery Printing company. Vellum insert with lyrics and liner notes.

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    Gorgeous commissioned drawing by Sheri Brown, printed on archival paper and matted on white matte. There are only a couple of these left. An original piece of art for your house at an insanely good price. Comes with download code of the album.

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1.
I Tried 03:09
I tried I was scared, but knew You were asking because you loved me I wanted to be a child But didn’t fit to plan Through the window I will go Turn my back unto the night What can’t be seen won’t scare me Sunflowers my alibi If I don’t come back, know I tried What’ll you, what’ll you remember me by? Little girl, little girl, couldn’t look her sister in the eye All of these days are nights These days are nights Through the window I will go Turn my back unto the night What can’t be seen won’t scare me Sunflowers my alibi If I don’t come back, know I tried
2.
The Scientist Rings on each finger Hair as bright as a blow pop tongue Ida would drag her feet into the lab And talk to no one Needles rags and chloroform Here she was at home Giving mice their death wish She could do it alone Science is based on evidence You can’t count on love Equations she can prove but find the right words to use and.. no, nothing comes When she wants to get away She goes on holiday alone And always keeps her headphones on On a cliff above the sea She knows she’s out of reach of everyone who needs someone to love them Who can love them all? Science is based on evidence You can’t count on love Equations she can prove But find the right words to use and… No, nothing comes They whisper words of sad existence One can’t live on only science Therein lies the source of excitement It’s a matter of self-reliance It’s all in Science.
3.
these arms are mermaids These arms are mermaids for you So take my hand, and walk through time Somewhere in this blood there’s a seed And with that drop, we’ll build Empires Oh, mercy ,mercy, me This magic must be a trick of circuitry Your sweet smelling perfumes are the rage of my desire This lonely road ends with the touch from your silken skin And wading ‘round the red wet bursts of your lips These arms are mermaids for you They’ll find you wherever your heart drums These arms are mermaids for you So take my hand, and walk through time
4.
Oranges for Alcohol In the daylight it would never last colours pale, oranges for alcohol Eyeliner smudged under your eyes Morning brings another vice You’d look at me the wrong way and the spell would break I’d say something so mean you couldn’t speak You’d tell me you wrote a song for me I’d find you say that to everybody Do you say that to everybody? But now it’s you and I under these lights And a straight shot to the bar You’ll have to get closer and put your lips to my ear Don’t say a thing just stay there Don’t say a thing just stay there When the room’s full and the band is loud It never lasts but somehow It could be so good…. It could be so good…. It could be so good….
5.
mess, yes 01:54
Mess, yes Baby, I’m a mess, yes So what if I have been drinking tonight And from the bottle of this bottle I sing This is still love, love, love, love, love Baby, don’t be embarrassed for me So what if it’s 3am and I’m screaming Somewhere in this world there are whole cities awake Maybe we can go there someday And as the city flickered in the night And all the lights shown, in spite of me Failed attempts fell at the wayside To reveal it’s always you I’m missing Baby, I’m a mess, yes So what if I have been drinking tonight And from the bottom of this bottle I sing This is still love, love, love, love, love

about

The 1st EP in a 2 part series. "Foolish Ida" is the new side project from singer/songwriter/piano player Sarah Rabdau (Sarah RabDAU & Self-Employed Assassins). Inspired by Sarah's favorite children's book, "Outside Over There" by Maurice Sendak, the Foolish Ida song cycle is composed of tales suggesting how the main character--Ida-- might have grown up after being forever changed by the events from Sendak's book. Swirling piano parts and Sarah's tender, and powerfully emotive voice are at the forefront, while strings, organ, and layers of voices paint a picture of possibilities about a young woman wracked with familial responsibilities, love, and doubt.

credits

released May 29, 2012

Sarah Rabdau - vocals, piano
Peter Moore - keyboards, bass, vocals, tack piano
Mary Bichner and Molly Zenobia - background vocals (tracks 3 & 5)
Vessela Stoyanova - midi marimba
Valerie Thompson - cello (tracks 1,2,5)
Nick Dinnerstein - cello (track 2)
Sue Buzard, Charlotte Gopinath, Madelaine Ripley - violin
Anna Stromer, Susannah Plaster - viola
Matt Graber - drums

All songs written by Sarah Rabdau inspired by "Outside Over There" by Maurice Sendak
Produced and Arranged- Peter Moore and Sarah Rabdau
Mixed - Daniel Brennan @ Soundtrack NY
Engineered by Peter Moore at "Palace of Purpose" Malden, Ma, except tack piano on "these arms are mermaids", engineered by Ducky Carlisle at "Ice Station Zebra Studio", Medford, MA
Mastered - David Shultz @ D2 Mastering, LA
Cover Art by Sheri Brown

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Sarah Rabdau Boston

Passionate Pop for the misconnected.

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